Аннотация: XIX век подарил миру множество талантливых оперных певцов, каждый из которых обладал своей артистической харизмой и уникальным стилем вокального исполнения. Одним из таких певцов был бас-баритон Антонио Тамбурини – мастер интерпретации партий Джоаккино Россини, Винченцо Беллини, Гаэтано Доницетти, Саверио Меркаданте, Джованни Паччини, Карло Коччи и Вольфганга Амадея Моцарта. Предметом исследования является творчество оперного баритона начала XIX века Антонио Тамбурини. Объектом исследования выступают оперные партии, исполненные Тамбурини за годы работы в театрах. В статье делается упор на первоисточники: творческую биографию певца, описанную музыкальным критиком XIX века Кастилем-Блазом, отзывы современников о сценических выступлениях Антонио Тамбурини. В работе преобладают исторический и теоретический методы исследования. Актуальность исследования обусловлена ролью Антонио Тамбурини в становлении и развитии баритонового амплуа в начале XIX века, а также недостатком изученности процессов, произошедших в оперном искусстве в эпоху раннего романтизма. Этот период освещен в музыковедческих трудах О.В. Жестковой, Л.А. Садыковой, И.П. Драч, Е.А. Рубахи, А.Е. Хоффманн, С.В. Решетниковой, Дж. Поттера, А. Якобсхагена, Дж. Старка, однако упомянутые работы посвящены в основном изучению оперного исполнительства теноров и сопрано. Период зарождения баритонового исполнительства в них не рассматривался и творчество Антонио Тамбурини осталось неизученным, что говорит о несомненной новизне работы. Основным выводом работы является выявление основных аспектов исполнительского стиля Антонио Тамбурини и раскрытие секрета его уникальности.

Abstract: The 19th century gave the world many talented opera performers, each of whom had his own artistic charisma and unique style of vocal performance. One of these singers was the bass-baritone Antonio Tamburini, a master of interpretation of the roles of Gioacchino Rossini, Vincenzo Bellini, Gaetano Donizetti, Saverio Mercadante, Giovanni Paccini, Carlo Coccia and Wolfgang Amadeus Mozart. The subject of the research is the work of the early 19th century operatic baritone Antonio Tamburini. The object of the study is the opera parts performed by Tamburini over the years of work in theaters. The relevance of the study is due to the role of Antonio Tamburini in the formation and development of the baritone art at the beginning of the 19th century, as well as the lack of knowledge of the processes that took place in opera art in the era of early romanticism. This period is covered in the musicological works of O.V. Zhestkovoy, L.A. Sadykova, I.P. Drach, G. Potter, A. Jacobshagen, J. Stark, A.E. Hoffmann, S.V. Reshetnikova, however, the mentioned works are mainly devoted to the study of the operatic performance of tenors and sopranos. The period of the birth of baritone performance was not considered in the above works, and the work of Antonio Tamburini remained unexplored, which indicates the undoubted novelty of the work. The article focuses on primary sources: the singer's creative biography, described by the 19th century music critic Castile-Blaz, contemporaries' reviews of Antonio Tamburini's stage performances. The work is dominated by historical and theoretical research methods. The main conclusion of the work is to identify the main aspects of the performing style of Antonio Tamburini, revealing the secret of the uniqueness of his art.

Аннотация: The 19th century gave the world many talented opera performers, each of whom had his own artistic charisma and unique style of vocal performance. One of these singers was the bass-baritone Antonio Tamburini, a master of interpretation of the roles of Gioacchino Rossini, Vincenzo Bellini, Gaetano Donizetti, Saverio Mercadante, Giovanni Paccini, Carlo Coccia and Wolfgang Amadeus Mozart. The subject of the research is the work of the early 19th century operatic baritone Antonio Tamburini. The object of the study is the opera parts performed by Tamburini over the years of work in theaters. The relevance of the study is due to the role of Antonio Tamburini in the formation and development of the baritone art at the beginning of the 19th century, as well as the lack of knowledge of the processes that took place in opera art in the era of early romanticism. This period is covered in the musicological works of O.V. Zhestkovoy, L.A. Sadykova, I.P. Drach, G. Potter, A. Jacobshagen, J. Stark, A.E. Hoffmann, S.V. Reshetnikova, however, the mentioned works are mainly devoted to the study of the operatic performance of tenors and sopranos. The period of the birth of baritone performance was not considered in the above works, and the work of Antonio Tamburini remained unexplored, which indicates the undoubted novelty of the work. The article focuses on primary sources: the singer's creative biography, described by the 19th century music critic Castile-Blaz, contemporaries' reviews of Antonio Tamburini's stage performances. The work is dominated by historical and theoretical research methods. The main conclusion of the work is to identify the main aspects of the performing style of Antonio Tamburini, revealing the secret of the uniqueness of his art.