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Creative Commons License CC-BY-NC Статья опубликована с лицензией Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0) – Лицензия «С указанием авторства – Некоммерческая».
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PHILHARMONICA. International Music Journal
Reference:

In the Distorting Mirror of Musical Parody

Denisov Andrei Vladimirovich

Doctor of Art History

Professor of the Department of History of Foreign Music of the St Petersburg State Conservatory after N.A. Rimsky-Korsakov

190000, Russia, g. Saint Petersburg, ul. Glinki, 2

denisow_andrei@mail.ru
Other publications by this author
 
 
Article was published in rubric "Musical form"

DOI:

10.7256/2453-613X.2014.1.40149

Received:

26-08-2014

Published:

09-09-2014

References
1. Bakhtin M. ‘Problems of Dostoevsky’s Poetics’ M.: 1972. 471 P.
2. Bonfeld M. ‘Parody in Music of Viennese Classical Composers’ // Soviet Music. – 1977, No.5. P. 99-102.
3. Vinogradov V. ‘Style of Pushkin’. – M.: 1941. 620 P.
4. Darkevich V. ‘Popular Culture of the Middle Ages: Parody in Literature and the Arts of the IXth-XVIth centuries’– M.: 2004. 328 P.
5. Zhirmunskiy V. ‘Introduction to Literary Studies’ M., 2009. 464 P.
6. Tynyanov Y. ‘Dostoevsky and Gogol (Towards a Theory of Parody)’ // Poetics. History of Literature. Cinema. M.: 1977. P. 285-311.
7. Freidenberg O. ‘The Origin of Parody’ // Proceedings of the University of Tartu: Issue 308: Works on Sign Systems: Issue 6. – Tartu, 1973. P. 490-497.
8. Grellman H. ‘Parodie’ // Merker P., Stammler W. ‘Reallexikon der deutschen Literaturgeschichte’ – Berlin, 1926-27, Bd.2.
9. Parodies: An Anthology from Chaucer to Beerbohm – N.Y.: 1960. 574 R.
10. Sheinberg E. ‘Irony, satire, parody and the grotesque in the music of Shostakovich: a theory of musical incongruities’ – 2000.
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