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SENTENTIA. European Journal of Humanities and Social Sciences
Правильная ссылка на статью:

Three paintings by Albert-Charles Lebourg and philosophical foundations of Impressionism of the last third of the XIX—first third of the XX centuries

Копцева Наталья Петровна

доктор философских наук

профессор, кафедра культурологии, ФГАОУ ВПО "Сибирский федеральный университет"

660041, Россия, г. Красноярск, проспект Свободный, 79, оф. 4-52

Koptseva Natalia Petrovna

Doctor of Philosophy

professor of the Department of Cultural Studies at the Siberian Federal University

660041, Russia, g. Krasnoyarsk, ul. Pr. Svobodnyi, 79, of. 4-52

decanka@mail.ru
Другие публикации этого автора
 

 
Reznikova Ksenia

PhD in Philosophy

docent, кафедра культурологии, Сибирский федеральный университет

проспект Свободный 79, Красноярск, 660049, Россия

Reznikova Ksenia

prospekt Svobodnyi 79, Krasnoyarsk, 660049, Russia

decanka@mail.ru

DOI:

10.7256/1339-3057.2014.1.10942

Дата направления статьи в редакцию:

18-12-1969


Дата публикации:

1-1.5-2014


Аннотация: Subject of research in this article is an artistic work of the great French artist Albert-Charles Lebourg. Paintings by Albert-Charles Lebourg belong to the artistic direction of French Impressionism. The authors make the philosophical and art historical analysis of the works of Albert-Charles Lebourg: 1) “Snow in Auvergne” (the original title “The Bridge over the Allier in Pont du Chateau in Winter” ) (1886); 2) “The Banks of the Seine”, 1889; 3) “The Two Boats in the Rays of the Rouen Sun”, circa 1900. Research Methodology has philosophical and art historical analysis, which was developed by Russian philosophers and art historians: Danneel Pivovarov, Vladimir Zhukovsky, Natalia Koptseva. The article describing the method of art history work of art. The authors use the method of conceptual analysis to uncover the philosophical origins of French Impressionism. The hypothesis was proposed that for the first time in European artistic and intellectual practices Impressionism showed a new paradigm, connected with overcoming the difference between a person’s internal and external reality, with the discovery of artistic form for expressing primary and universal integrity, given in direct experience and divided in psychic reality into external and internal dimensions. The critical artistic analysis of the three paintings by the great French Impressionist Albert -Charles Lebourg was made: “Snow in Auvergne”, “The banks of the Seine”, “The two boats in the rays of Rouen sun”, the main artistic ideas of these paintings were revealed. A deep conceptual link of the three paintings by Albert -Charles Lebourg was found, on the one hand, both artistic Buddhism and artistic psychologism (as cult (popular) conceptions of European intellectual life before the First World War). It was shown that Impressionist landscapes of this painter create and convey strongest visual impressions, modeling not only visual reality, but integral psychophysical reality, including the process of immediate flow of visual sensations, that has created and is supporting this strongest impression.


Ключевые слова:

art studies, cultural studies, impressionism, painting, Albert Charles Lebourg, landscape, philosophy of Art, Ernst Mach, Buddhism, visual thinking

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