Правильная ссылка на статью:
Izotova, I. S..
Death Theme in the First Bunuel’s Films.
// Philosophy and Culture. – 2010. – № 12.
– С. 112-118.
рубрика Философия смерти
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Аннотация: The article provides a brief research on
the problem of death in the fi rst Bunuel’s fi lms (“Un
chien andalou”, 1929, “L’Вge d’or”, 1930, “Las Hurdes.
Tierra sin pan”, 1932). The author concludes
that the director’s preoccupation by the problem of
death, expressed with naturalistic and sexual images
and aggressively built narration, results not
just from French model of surrealism, but has its
own deep grounds in Spanish culture, surrealistic
by itself.
Ключевые слова: philosophy, death, Spanish culture, surrealism, cinema, Eros, de Sade, Bunuel
Контактная информация: Izotova Irina Sergeevna, izotova.irina.s@gmail.com
Библиография:
Bunyuel' L. Moy posledniy vzdokh. M.: Raduga, 1989.
Ado Kyro. Luis Bunuel, an Introduction. New-York: Simon and Schuster, 1963.
Harcourt R. Luis Busuel: Spaniard and Surrealist. Film Quarterly, Vol. 20, No. 3, 1967).
Havard R. The Crucifi ed Mind: Rafael Alberti and the Surrealist Ethos in Spain. Rochester, NY: Tamesis,
2001.
Kinder M. Hot Spots, Avatars, and Narrative Fields Forever. Busuel’s Legacy for New Digital Media and
Interactive Database Narrative. University of California Press: Film Quarterly, Vol. 55, No. 4 (Summer,
2002).
Lopez Villegas M. Sade y Bunuel. El Marques de Sade en la obra cinematografi ca de Luis Bunuel. Instituto
de studios Turolenses. Teruel, 1998/ Gobierno de Aragon. Zaragoza, 1998.
Rubinstein E. Busuel among the Hurdanos. Cinema Journal, Vol. 22, No. 4. University of Texas Press,
1983).
Roof G. Un Passionny Appel Au Meurtre: Murder and Artistic Experience in UN Chien Andalou //Romance
Quarterly. Vol.41. Issue: 4, 1994.
Sanchez Vidal A. El mundo de Luis Bunuel. Zaragoza: Caja de ahorros de la Inmaculada de Aragon,
2000.
References (transliteration):
Bunyuel' L. Moy posledniy vzdokh. M.: Raduga, 1989.
Ado Kyro. Luis Bunuel, an Introduction. New-York: Simon and Schuster, 1963.
Harcourt R. Luis Busuel: Spaniard and Surrealist. Film Quarterly, Vol. 20, No. 3, 1967).
Havard R. The Crucifi ed Mind: Rafael Alberti and the Surrealist Ethos in Spain. Rochester, NY: Tamesis,
2001.
Kinder M. Hot Spots, Avatars, and Narrative Fields Forever. Busuel’s Legacy for New Digital Media and
Interactive Database Narrative. University of California Press: Film Quarterly, Vol. 55, No. 4 (Summer,
2002).
Lopez Villegas M. Sade y Bunuel. El Marques de Sade en la obra cinematografi ca de Luis Bunuel. Instituto
de studios Turolenses. Teruel, 1998/ Gobierno de Aragon. Zaragoza, 1998.
Rubinstein E. Busuel among the Hurdanos. Cinema Journal, Vol. 22, No. 4. University of Texas Press,
1983).
Roof G. Un Passionny Appel Au Meurtre: Murder and Artistic Experience in UN Chien Andalou //Romance
Quarterly. Vol.41. Issue: 4, 1994.
Sanchez Vidal A. El mundo de Luis Bunuel. Zaragoza: Caja de ahorros de la Inmaculada de Aragon,
2000.